- #REW TRUERTA CLIO GENERATOR#
- #REW TRUERTA CLIO PRO#
- #REW TRUERTA CLIO SOFTWARE#
- #REW TRUERTA CLIO MAC#
The notch filter is installed and working as planned. I have not decided if I will make a rear frame like on the Wharfedales. On the rear side I tried spraying the metal grill with gold paint. The whole process took about 50 minutes per panel, and my fingers hurt! The grill was tight enough to bounce a coin about 10cm in the air. Then using as much force as I could, stretched the grill and stapled the other two sides. Stapled the grill cloth along two edges taking care to keep the treads lined up. Grill cloth arrived! I cut a front panel of 9mm plywood.
#REW TRUERTA CLIO MAC#
The big deal maker, apart from price is that I can work on global sound out from the Mac, instead of just iTunes, and yes, they are mac 10.5+ and 10.6+ compatible.
![rew truerta clio rew truerta clio](https://c8.alamy.com/comp/MY5RWF/crook-of-devon-perthshire-uk-6th-june-2018-the-recovery-crew-begin-to-remove-the-vehicle-from-the-ditch-to-start-the-procedure-of-lifting-it-onto-the-bed-of-the-truck-a-white-renault-clio-after-it-crashed-into-a-fence-police-are-on-seen-and-directing-traffic-while-a-recovery-truck-removes-the-vehicle-credit-sopa-imageszuma-wirealamy-live-news-MY5RWF.jpg)
I love the fact that I can work in each channel in isolation, add several corrections after each other and toggle on/off to hear what they are doing. I have found BlueCatAudio´s plugins, FequAnalyst and Tripple EQ to be the most intuitive and helpful so far. Although not as well described, technically, to assure you of high fidelity processing, Hijack has far greater flexibility than PureMusic.
#REW TRUERTA CLIO PRO#
I have landed on the cheaper solution of using Hijack Audio Pro by RougeAmoeba. The hi quality/high $ approach seems to be PureMusic by CannelD I decided on using American Black Walnut and TubeTown´s Marshall Salt & Pepper speaker cloth for the front panels. The next step is veneering the front and finding a suitable speaker cloth. I also plan to test them with HolmImpuse to see if I get a reasonable frequency curve.
#REW TRUERTA CLIO SOFTWARE#
Tolvan Edge software should show me what is going on with this shape of baffle. The conclusion is to run the Visaton B200 unfiltered for critical listening, then I might have a switch connecting 200uF in party mode when I expect high sound levels. 200uF reduced the cone displacement problem sufficiently. Compared to no capacitor, the 200uF solution worked best, but it was still slightly more pronounced in the higher frequencies. It became somewhat nasal and thin bodied. I tried using these values:ġ00 and 147uF clearly increased the focus on high tones in the speaker. The listening test was done with a colleague partially without the listener knowing which capacitor was where. To correct for any room effects, capacitors were changed on both channels. Listening tests were done by changing channels with the balance control on the amp. I tested the capacitors by ear, by mounting different capacitors on each channel, or keeping one channel clean. I ordered up 100 uF and 47uF capacitors to experiment with high-passing them between 133 – 165Hz. It seemed that on heavy synth bass tracks Xmax (+/-3,5mm) was uncomfortably close for the Visaton at high listening levels. I tested them by ear in the big workshop at work (30m x 30m++). You want to adjust the probe to get nice clean sharp square waves out of the scope test jack. I use a 600V 10:1 Pomona probe that I picked up on ebay of few years ago.īe sure to calibrate the probe on the scope with the built-in sq wave generator. NOTE: Make sure that you are using a probe rated for the voltage, and preferably 10:1 voltage attenuation. Usually done at 1khz.Ĭheck power supply ripple voltage by connecting scope probe to B+, set the scope for AC coupling, and zoom in for the ripple voltage. Increase input sine wave voltage until clipping on the scope is just visible, then record AC RMS volts. Some amps are flat way beyond 20khz….Ĭheck power out by inputting a sine wave and measuring voltage across the load R with the scope and an AC voltmeter. When the amplitude is half of the max value, that’s your -3db point.
![rew truerta clio rew truerta clio](https://www.soundstagesolo.com/images/stories/features1/201808_n60nc.png)
![rew truerta clio rew truerta clio](https://ybdstatic-a920.kxcdn.com/images/products/aw17/tops/19570-young-british-designers-pinstripe-sleeve-love-rat-mesh-top-by-clio-peppiatt_raw.jpg)
You are looking for the frequencies were the amplitude of the sine wave starts to drop.
#REW TRUERTA CLIO GENERATOR#
Usually done at 10Khz from function generator with square wave output.Ĭheck freq response by inputting sine wave and varying freq from 20hz-20Kz +/. Just put the scope probe across the load R and measure noise.Ĭheck square wave response for ringing (oscillations), rounded leading edges (reduced HF resp), or sloped tops (reduced LF resp).
![rew truerta clio rew truerta clio](https://www.soundstagesolo.com/images/stories/features1/201808_comet.png)
Here is the finished dummyload ready to connect to my next triode amp project.Īccording to “ boywonder on DIYaudio, some basic oscilloscope tests with an amplifier driving the dummy load are:Ĭheck for noise on the output (across 8R load) with input shorted.